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Animation in Cascadeur

Why I’m Learning Cascadeur for My Project

Because of the project management challenges and the scope of what I’ll be delivering, I’ve decided to learn and incorporate a new animation software: Cascadeur. It’s an AI-powered tool that enables auto-posing during blocking and comes with physics assistance to help polish movement.

That said, just because it uses AI doesn’t mean it’s a shortcut to free animation. It still requires solid fundamentals: working with arcs, planning ahead, studying movement, posing carefully, and delivering dynamic body motion. None of that comes automatically—you still need to bring your own skills and knowledge to the table.

My decision is largely based on time limitations and the ambitious direction of the project. Animation is a huge part of my work, but the project isn’t strictly about on-screen content. I’m also thinking about installation, physical computing, and virtual reality. Because of this, it feels justified to use a tool like Cascadeur. It fits both the project management side of things and my career trajectory, since I don’t aspire to become a traditional animator.

Of course, learning new software comes with a curve. Some skills I already have are transferable, but getting familiar with a new workflow always takes effort. Still, I think it’s worth it, given my position, project aspirations, and the need to optimise production. In practice, Cascadeur should let me deliver results much more quickly than if I had to build everything in Maya.

For this project, I’ll also be documenting my workflow—through images, screenshots, and screencasts—so I can share the process of creating and refining the animations I’ll be using.


Overlap of animating in Cascadeur.

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Collaborative Unit Uncategorised

Week 3: 3D Scanning at Tate Modern

Visit the site of Tate Modern, for data capture purposes, use the mobile phone camera to record videos of object exhibited, with use of the camera on its own/ the AI-powered app Luma AI.

Artwork that caught my eye

Metamorphosis of Narcissus

1937, Salvador Dalí

I’m familiar with this painting, and yes Dali is one of my favourite surrealists. I’m posting this here because it’s related to the work, I’m currently working on for the advanced unit with George, creating previs, where I’m inspired by the same mythological story of the Narcississ.

Dali about his painting: “A painting shown and explained to Dr Freud. Pedagogical presentation of the myth of narcissism, illustrated by a poem written at the same time. In this poem and this painting, there is death and fossilization of Narcissus.”




The Sculptor


1953, William Gear

The painting, which in its earthy colours and angular structure displays an allegiance to the aesthetic of ‘paysagisme abstrait’, combines considerable formal complexity with a new degree of sharpness. The spiky shapes are reminiscent of the so-called ‘geometry of fear‘ sculptures which had represented Britain at the Venice Biennale in 1952. 

The Painter’s Family

1926, Giorgio de Chirico

Painted in Paris in 1926. ‘The Painter’s Family’ dates from de Chirico’s period of association with the Surrealists when he tended to revive the subjects of his earlier Metaphysical period – in this case the mannequin figures – but in a heavier, more antique manner. The mannequin theme is said to have been inspired by a play Les Chants de la Mi-Mort written by de Chirico’s brother Andrea (Alberto Savinio) and published in Apollinaire’s magazine Les Soirées de Paris for July-August 1914. The drama’s protagonist is a ‘man without voice, without eyes or face’.

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Reserach phase

Ghost stories


Cookbook

I visited the Waterstones Victoria branch, curious about what’s available to buy for people interested in minimalising their footprint in the kitchen. I was stricken by only 2 books I managed to find within the food section. There’s the implication that sustainable eating is only presented within the vegan section. There was no however book offering the recipes which would encourage minimalising foodwaste, but only the carbon footprint.

Books: